Thursday, January 27, 2022

The Morozov Collection: Icons of Modern Art at the Louis Vuitton Foundation

The museum Louis Vuitton Foundation opened in 2014 in the Bois de Boulonge in a building designed by the architect Frank Gehry. I ventured out last week to see the special exhibit “The Morozov Collection: Icons of Modern Art.” 

Morozov Collection
Fondation Louis Vuitton













Le Frank Café
with Flying Fish













The Russian brothers Mikhail and Ivan Morozov created one of the world’s strongest collections of Impressionist and Modern Art beginning in the 1890s. The brothers were born in 1870 and 1871 into a family of industrialists who owned several textile factories. 

Ivan Morozov by Konstantine Korovine 1903
Mikhail Morozov
by Valentin Serov 1902













Their great-grandfather, Savva, was a serf. With five rubles from his wife’s dowry, Savva set up a ribbon workshop, which developed into a factory, and he bought his family’s freedom. In a few generations the family became wealthy, philanthropic industrialists. Mikhail and Ivan’s mother gave them a thorough artistic education and they loved the theater, literature and painting. They also spoke French like most of the aristocratic class in Russia.

Mika Morozov by Valentin Serov 1901
Mikhails son
At the end of the 19th century, Russian cultural life began to open up and be more modern and Mikhail started collecting art with the help of advisors such as the Russian painters Konstantine Korovine and Valentin Serov. He collected impressionist paintings, landscapes, scenes of Parisian life and also nudes, which were then badly perceived because of the puritanical environment in Russia.













Above are two portraits of the French actress Jeanne Samary by Jean-Auguste Renoir. He painted the one on the left in 1877 but it was not well received by critics at the Impressionist Exhibition. So he did the full length portrait in 1878 in a more classical style. I especially love the colors in the first portrait.

Mikhail collected Manet, Corot, Monet, Toulouse-Lautrec, Degas, Bonnard, Denis, Gauguin and Van Gogh. Tragically, he died at the age of 33 in 1903. His collection included 39 French and 44 Russian works when he died and his brother Ivan took over the project of collecting.

Mikhails Family after his Death
Mikhail discovered Pierre Bonnard’s work in Paris and he acquired the first paintings by Gauguin to enter Russia. Bonnard was known for his bold use of color.
Morning in Paris by Bonnard

Evening in Paris by Bonnard

















Café at Arles by Gauguin
The brothers stood out for their unconditional patronage of contemporary European and Russian art, which contributed to enhancing the international reputation of modern French painters.
Poppy Fields by Monet
I loved these two Paris scenes on Île de la Cité from 1910. Life looks calmer somehow. 
Rainy Day, Notre Dame de Paris
by Albert Marquet

View of the Seine and the Monument to Henri IV
by Albert Marquet

























Ivan Morozov adored the work of Paul Cézanne. Having tried their hand at landscape painting in their youth, the brothers felt an affinity for the landscapes and acquired 18 works by Cézanne. However, it looks like I didn't take pictures of any of his landscapes.

Smoker by Paul Cézanne
Mikhail bought Vincent Van Gogh’s Seascape at Saintes-Maries in 1901. It was probably the first Van Gogh painting in Russia. I love the churning blue and yellow waters and thickly applied paint against the red boats.
Seascape at Saintes-Maries by Van Gogh
The other Van Gogh painting at the exhibit was haunting. I had never seen or heard of it before. For months, Van Gogh tried to leave the Saint-Rémy-de-Provence psychiatric asylum where he had voluntarily committed himself. This is where Van Gogh painted The Prison Courtyard in 1890.
The Prison Courtyard by Van Gogh
Van Gogh's brother had sent him a photograph of Gustave Doré’s drawing “Newgate-Exercise Yard” which shows a line of prisoners in the courtyard of a notorious London prison. Deprived of his walks through the countryside, without models and with little paper, canvas or color, Van Gogh spent his time copying or “interpreting” photographs and black and white engravings. He reinterpreted the London prison to show the confinement he suffered, with the lonely outcasts that surrounded him. The man in the center of the circle with the dangling arms, the only one to look at the viewer, is Van Gogh. 
I watched a woman copying an André Derain painting.
Drying the Sails by Derain































As Ivan acquired paintings from Paris, they were made available to Russian artists to see and study. I could see the influence of Cézanne and Picasso on them, including this self-portrait by Ilia Machkov painted in 1911. Machkov’s bowl of fruit is also influenced by Cézanne and evokes the painted signs of the greengrocers and grocery stores of rural Russia.
Harlequin and His Companion
by Picasso
Portrait of Ambroise Vollard
by Picasso



















Self Portrait by Ilia Machkov






















Still Life, Fruit in a Dish by Machkov

















Still Life with a Curtain by Cézanne 


















Machkov’s self portrait and portrait of the artist Piotr Kontchalovski was really interesting. It is the manifesto of Russian “Cézannism.” The painters are wearing wrestling shorts and shoes, showing their muscles and scowling looks. This refers to the legend that the cubists Pablo Picasso and Georges Braque loved boxing. But instead of being in a boxing ring, they are in a small middle class living room. Above the piano are books with the titles Cézanne, Arts, Egypt-Greece-Italy and the Bible, representing “an artistic program where antique, biblical and classical arts are synthesized in a post-Cézanne modernity. The rarified atmosphere of provincial life, filled with connections, rules and customs, where everyone is secluded and at the same time fully exposed, known and judged, is the painting's subject.” Wow. That's heavy.
Machkov and Kontchalovski
There were a variety of Henri Matisse paintings beginning early in his career.
Blue Jug by Matisse, 1898

Still Life with The Dance by Matisse, 1909

Fruit and Bronze by Matisse, 1910
The Russian artist Valentin Serov painted Ivan Morozov with his Matisse painting in the background in 1910.
Portrait of Ivan Abramovich Morozov by Serov 
In 1918, the Morozovs’ collection included 240 French works of art and 430 Russian works. In 1918 during the Russian revolution, a decree by Lenin confiscated and nationalized the Morozovs’ collection. Some so-called “degenerate” paintings were hidden in Siberia to escape destruction.
Pictures of Ivan Morozovs home
After the art collection was nationalized in 1918, Ivan Morozov fled to Finland and died in Karlsbad, Germany, at the age of 49. The collection formed part of the Russian Museum of Modern Western Art, which Stalin ordered to be closed in 1948. The Morozov collection and the rest of the contents of this museum were divided between the Pushkin Museum of Fine Arts and the Tretyakov Gallery in Moscow, and the Hermitage Museum in Saint Petersburg. The Soviet state sold several works for economic reasons, including Van Gogh’s Café de Nuit (now in the Yale University collection) and Cézanne’s portrait of Madame Cézanne (now in New York’s Metropolitan Museum). “But things could have been worse. Stalin hated Western art and could have asked for its destruction.” 

The showing of over 200 works of art from the Morozov collection outside Russia for the first time is a major event, achieved partly thanks to the Louis Vuitton Foundation helping the Russian museums restore works by some of the artists and being involved in organizing the Morozov exhibition at the Hermitage in 2019. It was an amazing exhibition.

Monday, January 24, 2022

100 Years of French Vogue-Palais Galliera

I discovered the Palais Galliera when we were in Paris in 2018 and I had more time to explore all the treasures Paris has to offer. The Palais Galliera is the Musée de la Mode de la Ville de Paris or the fashion museum. The Palais was built in the Beaux-Arts style at the end of the 19th century for the Duchess of Galliera to house her art collection. She intended to donate the palace and her artwork to the French State after her death.

Side View of Palais Galliera
However, her lawyer made a mistake in the documentation and donated it to the City of Paris rather than France. Oops. The Duchess was not happy and tried to change it to the French State but to no avail. In 1886, before the palace was finished, the French Republic adopted a law expelling any person who was a direct heir of a royalist dynasty that had reigned in France. She was descended from the House of Orléans and was outraged by the law. It felt like a slap in the face because she had previously donated the Hôtel Matignon to France, which is the home of the Prime Minister of France. She was unable to revoke her gift of the new museum, so she abandoned the rest of her planned gift to Paris and bequeathed her entire art collection to the Palazzo Rosso in Genoa, Italy. The result was Paris received only an empty Palais Galliera.

Courtyard
Entrance to Palais Galliera













The Galliera originally housed temporary exhibits and then became the home of the Museum of Industrial Arts (Arts et Métiers) in 1903. Later modern art exhibits and auctions were held there. In 1977, the Fashion and Costume Museum of the City of Paris moved from the Musée Carnvalet to the Palais Galliera and restoration workshops were built in the basement. In 1997, it was renamed the Musée de la Mode de la Ville de Paris. The museum now has an arrangement with designers to have them donate some of their couture collection to the museum each season.













I came to see the 100 years of French Vogue exhibit. The magazine was started by Condé Nast in 1920 and was independent of its Vogue magazine in the US. The entry to the exhibit displayed all 100 covers.













Originally, all the covers were illustrated rather than using photographs. It was interesting to see the change in style and feel through the century.




















































On the back of each cover was "Vogue's Viewpoint." It is the only column that has continued since the very beginning of the magazine. The editorials reveal the evolution of the magazine and fashion over time.
Yves Saint Laurent

Audrey Hepburn and
husband Mel Ferrer 


















So elegant!

The Viewpoint below describes how skirts in 1953 are the shortest they've been since World War II - 50 centimeters from the ground! It is important to have "impeccable legs, delicate ankles and perfect stockings." And this Vogue issue, starting on page 177, will advise you just how to achieve that!
It was interesting to see how Vogue changed over time from illustrations and studio photography to outdoor photography.
Autumn in Paris at 
Place Vendôme 1932
1932



















1928
Studio Photography that appears to be outdoors
The magazine had to shut down during World War II because of supply issues leading up to the war and then the Germans withheld permission to publish. The last issue published before the war in 1939 was hand drawn and lettered.
December 1939 Cover
Vogue began publishing special editions beginning in 1945 and by 1947 was again publishing monthly. More of the photography was taken outside and showed off Paris.
1947
1951

1951

1950 Evening Dress
The displays included the actual clothes paired with the illustration.
1947

Courrèges


















As a seamstress, I loved seeing the handwork on the actual clothing, including the beautiful bound buttonholes on the jacket.

1958
"Soulier Séducta"

1958











1961
The 1960s celebrated youth. More Vogue articles were aimed at those under 20. New ready-to-wear brands challenged haute-couture houses. A new generation of models, including Twiggy, epitomized the young independent woman. Starting in the 1960s young actresses regularly posed for the cover. Celebrities were also featured in the magazine beginning in the 1960s.

Barbra Streisand 1966
Twiggy in 1967 wearing Lanvin



















Yves Saint Laurent 1962
Courrèges 1965



1969

1970s Collage Illustration
Mick Jagger and Jerry Hall 1996
Actor Gérard Depardieu 1994



















Catherine Deneuve, the French actress, posed for 16 Vogue covers between 1962 and 2003. She was only 18 years old when she first appeared on the cover.
Catherine Deneuve
And between 1994 and 2019, Kate Moss appeared on 21 covers. In 2001, the editor-in-chief declared, "She's the stuff of dreams because she has imperfections like everyone else, even though she's perhaps the biggest fashion icon in the world." 
Kate Moss 2009

2000s

Sasha Pivovarova 2008
I enjoyed an afternoon walk through time with Vogue. Paris has so many treasures to discover that are just a bit off the beaten path.